In “Overcompensating,” Prime Video’s newly released comedy series, everyone is doing too much. That’s what Benito Skinner, the creator and star of the A24-produced show, experienced in college in the mid-2010s, and why it felt like a perfect backdrop to tell a heightened version of his own coming out story.

“Overcompensating” centers around Benny (played by Skinner), a closeted former high school football player turned college frat bro who spends too much energy posing as a straight guy by lowering his voice and keeping his love for Lorde’s songwriting in check. That’s the case even, or especially, when he’s greeted by “The Alliance of Gay People and Lesbians and Bisexual People and Asexuals too even” as he makes his way around campus.

But Skinner knew there was plenty of narrative potential in focusing on the thorny relationship Benny strikes up with Carmen, a girl who ends up being both his beard and his BFF. Only in this telling, Carmen, played by Wally Baram, isn’t just a supporting player in Benny’s path toward self-acceptance.

“Naturally that story and getting to college, it’s this coming of age thing,” Skinner says. “And for so many gay people, it’s meeting these girlfriends who are creating these safe spaces — all the while they have their own s— going on. What was so interesting to me is thinking how I’m going through this whole journey inside. But so is she. She is having this whole other experience too.”

Benny (Benito Skinner) and Carmen (Wally Baram) in “Overcompensating.”

(Sabrina Lantos / Prime Video)

Baram says when she read the show’s pilot episode, she instantly understood where the character was coming from.

“I got the script, and within the first three pages, there’s this character — this frizzy, curly haired girl who’s kind of awkward and just can’t do the same thing that everyone else is doing,” Baram recalls. “And who, over the course of the script, is overcompensating with love. That was just so me for a really large chunk of my life, frankly.”

After meeting at orientation — and bonding over the need to ignore the kid who insists on telling everyone he’s Amanda Knox’s cousin — Benny and Carmen fumble through a performed kind of meet-cute. Wishing to do away with his sexual urges for cute boys on campus and hoping to avoid becoming a campus pariah if he doesn’t sleep with a girl on his first day at school, Benny pursues Carmen.

Over the course of the eight-episode season of “Overcompensating,” their freshman situationship quickly gets more and more complicated. Carmen is clueless at first about why things aren’t clicking with Benny in the bedroom (or more like the dorm room). And the root of the issue can be difficult for her to discern.

“It’s like, how could you not know he was gay? But in these relationships I’ve had with women, there was so much confusion and miscommunication through sad dishonesty,” he says. “The Carmen character was so fun to write because this girl is experiencing this on the other side being like, ‘What the f— is wrong with this guy?’ I found that for women, gay was the last thing on their list of things why these relationships weren’t working. And I’m like, ‘No, babe, that’s No. 1.’ You did nothing wrong.”

Benito Skinner on writing the relationship between his character and Carmen: “I found that for women, gay was the last thing on their list of things why these relationships weren’t working. And I’m like, ‘No, babe, that’s No. 1.’ You did nothing wrong.”

(Dutch Doscher / For The Times)

Finding the right actress to nail Carmen’s charming awkwardness was a challenge. Like Benny, Carmen is trying to start anew and fit in at the fictional Yates University. She’s often pushing herself to perform whatever normalcy looks like for a college freshman.

Carmen doesn’t nail collegespeak — “Here’s to a night we’ll never remember with the friends we’ll never forgive,” she captions her first selfie with Benny — but she’s skilled at beer pong, first-person shooters and chugging drinks like the frat boys on campus. More importantly, she is sweet and attentive, the kind of tender girlfriend a closeted boy like Benny would naturally gravitate toward.

At the suggestion of A24 producer Alli Reich, Skinner watched Baram’s 2021 set on “The Late Show with Stephen Colbert.” There, the young comedian, who’s Mexican and Syrian (“or as Fox News would call me, a ‘very lazy terrorist,’” she joked), poked fun at how she’s struggling with adulthood, especially since her body felt both childlike and grown-up at the same time. “I’m 5’2”, I have a baby face, but I’ve [got] boobs and the voice of like an eighth grade Jewish boy,” she deadpanned in the set.

“I had sat with this character for four and a half, five years,” Skinner recalls. “And I watched this video, and it was this very surreal moment. She was exactly what I had in my head for Carmen. I was like, ‘OK, well, it’s her.’”

Baram’s winsome self-deprecation felt like a perfect match for the cast of this off-kilter comedy Skinner was assembling.

“When we met in person, I felt like I had little maracas out,” Baram jokes. “The energy in that room was just like, ‘Oh, hello!’ Like when two dogs meet, and their tails go up.”

“It was so two chihuahuas meet, finally,” Skinner adds.

“When we met in person, I felt like I had little maracas out,” Wally Baram says about Benito Skinner.

(Dutch Doscher / For The Times)

“Overcompensating” hinges on their crackling chemistry. But as the season unfolds, the series becomes more and more of an ensemble piece. As Benny navigates his first semester at Yates, we spend more time with his sullen sister, Grace (Mary Beth Barone); her douchey frat boyfriend, Peter (Adam DiMarco); Benny’s swoon-worthy crush, Miles (Rish Shah) and Carmen’s brassy, sassy roommate Hailee (Holmes).

Together, they create a vision of college life that will make millennials cringe in recognition. The pilot, after all, opens with Britney Spears’ “Lucky” and the foundational queer film “George of the Jungle,” starring a chiseled, loin-clothed Brendan Fraser. But it’s the needle drops throughout the show that best capture that generation and moment in time. Charli XCX may get the spotlight treatment — she guest stars as herself in Episode 4 — but the deployment of a My Chemical Romance song in a later episode made the cast realize just how wounding and specific the writing on the show could be.

“I read ‘Welcome to the Black Parade’ and it sent a chill down my spine because I thought that was private to me, alone in my room,” Baram says. “And then you put it in there and I was like, ‘OK, so we all had that moment,’ which is both good and also, wow, my plight is not special.”

“That is so true that it felt private to all of us,” Skinner adds. “Because that was also something with Mary Beth, too. When we were talking about that song, she’s like, ‘I feel this in my bones, maybe in a good and a really mortifying way.’ I hope it has a resurgence. I do think Gen Z will really enjoy that song. It feels very them.”

Barone’s cringey karaoke rendition of that emo 2006 banger resonates because it captures the joy (and embarrassment) that comes from being unabashedly oneself — something every character in “Overcompensating” grapples with to varying degrees of success.

“Overcompensating” hinges on the chemistry between Wally Baram and Benito Skinner.

(Dutch Doscher / For The Times)

Skinner’s comedy excels at capturing those crippling feelings of inadequacy — whether you’re a closeted dude rushing a frat, a secretly emo girl trying to please her boyfriend or a shy freshman figuring out who she could be away from home.

“Some of these people that come into college where they’re like, ‘I’m gonna do me no matter what, and I’m coming in here like a bat out of hell’ — I felt so in awe watching them,” Skinner says. “I was like, ‘This is so incredible that you can do this.’ Meanwhile I feel so confident in one room and in the next room I’m like, ‘Oh my God, I should not be here.’”

That’s precisely what Baram keyed into when bringing Carmen to life, as well as listening to “Truth Hurts” by Lizzo to get into character.

“Because it reminds me of a time in my life in which I thought I was conquering the social. I was going to a party, and I thought that I was gonna, you know, get down and dirty,” she says. “But really, I was a disingenuous version of myself, and ultimately ended up feeling unrewarded at the end, no matter what I did, whether I had a successful social interaction or I failed miserably.”

“Overcompensating” broadens concepts that are central to the queer experience — like the closet and found families — and places them at the heart of the modern college experience. And, in between jokes about pink eye, Grindr dates gone wrong and a pitch perfect takedown of college improv, the series makes a heartfelt case for how to make the best out of those formative years.

“To do it right, I think, is the Benny and Carmen way,” Skinner says. “It’s finding the person that doesn’t make you feel like you have to be so inconsistent with who you are and the things you actually want to do. For me it’s like, you’re bad at overcompensating when you’re with the right person.”